Palace of Versailles
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The Château de Versailles — often called the Palace of Versailles, or simply Versailles — is a royal château, outside the gates of which the village of Versailles, France, has grown to become a full-fledged city.
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History
Louis XIII often hunted in the woods of Versailles, and had a hunting lodge built there in 1624. In 1627 he entrusted Jacques Lemercier with the plan of a château.
In 1660, Louis XIV, coming to majority and taking on full royal powers, was casting about for a site near Paris but away from the tumults of the city. He had grown up in the disorders of the civil war between rival bands of aristocrats called the Fronde and wanted a site where he could organize and completely control a government of France centered upon his person. He settled on the lodge and decided to convert it into a palace. In 1661 Louis Le Vau made some additions which were further developed by him in 1668. In 1678 Mansart took over the work, the Galerie des Glaces, the chapel and the two wings being due to him. On May 6, 1682 Louis XIV took up his residence in the château.
The château was largely completed by 1688. The team of architect Louis Le Vau, decorator Charles Le Brun and garden designer André Le Nôtre had been assembled by Louis' own finance minister Nicolas Fouquet at Vaux-le-Vicomte, whose grand success there was his undoing.
After Louis XIV, several smaller buildings were added to the Versailles area by Louis XV and Louis XVI including the Grand Trianon, the Petit Trianon, and the Hamlet of Marie Antoinette, which, in a way, is one of the world's first open air museums.
Purpose
Louis XIV, in building the palace, was intent on more than merely outdoing Vaux-le-Vicomte. Versailles became the home of the French nobility and the location of the royal court. Louis XIV himself lived there, and symbolically the central room of the long extensive symmetrical range of buildings was the King's Bedroom (the Chambre du Roi), which itself was centered on the lavish and symbolic state bed, set behind a rich railing not unlike a communion rail. All the power of France emanated from this center: there were government offices here; as well as the homes of thousands of individuals. By insisting that nobles spend time at Versailles, Louis kept them from countering his efforts to centralize the French government in an absolute monarchy.
Costs
While the Palace was grand and luxurious, it was also quite expensive to maintain. Historians estimate that maintaining the Palace, including the care and feeding of its staff and the Royal Family, consumed as much as 25% of the entire national income of the country of France. That figure, however, is highly debated. One should always bear in mind that biased estimates have been frequent since the time of the French Revolution, a way to justify the revolution and have its excesses forgiven. What is fairly well established is that the cost of the state in France in the 17th and 18th century, even including the costs of Versailles, was considerably lower than the cost of the state in 21st century France, where the government consumes 55% of the national income. However, it is fair to say that modern states carry out much more missions than the states of the 17th or 18th century, such as education, retirement schemes, health care, etc.
Benefits
Another way to look at this controversy over the costs of Versailles, is to consider the benefits that France drew from this royal palace. Versailles, by locking the nobles into a golden cage, effectively ended the periodical aristocratic coups and rebellions that had plagued France for centuries. It also destroyed regionalism, and enabled a centralization of the state, for which some modern Frenchmen are still thankful to Louis XIV, although the current value this legacy, and its partial reversal have been the subject of recent heated debates in France. This result was probably worth the money spent on Versailles, money that, incidentally, enabled thousands of workers, masons, glaziers, plasterers, gilders, painters, gardeners, fountainers, and so forth, to live for years without worrying about feeding their families.
Last but not least, for all the controversies about the costs of Versailles, one has seldom heard such controversies about the costs of, say, the pyramids of Egypt or the Taj Mahal in India. Versailles, after all, could be taken just for what it was meant to be from the start: a cultural statement.
Features
The Hall of Mirrors
The Hall of Mirrors (French: Galerie des Glaces) is a large room in the palace. It is generally considered one of the major attractions of the palace and is currently undergoing restoration.
The galerie was started in 1678, at the time the château began to be the official residence of Louis XIV. It was completed in 1684. Many references of it are in Marie Antoinette's diary.
After the signing of the Treaty of Nijmegen (1678), at the high point of his reign, Louis XIV ordered Le Brun to paint the benefits of his governement on the ceiling. The painter conceived 30 scenes, framed with stucco: the king appears as a Roman Emperor, as great administrator of his kingdom, and as victorious over foreign powers.
It was in this hall that the German Empire was proclaimed on January 18, 1871, following the defeat of France in the Franco-Prussian War. It was also here that Germany signed the Treaty of Versailles (1919) stating that Germany was responsible for World War I.
The galerie is located on the first floor of the building. It contains 578 mirrors. It is 73 m long, 10.50 m wide, and 12.30 m high. It is located between the salon de la Guerre (Hall of War) at its northern end, and by the salon de la Paix (Hall of Peace) at its southern end.
Seventeen windows, opening onto the gardens, face seventeen arcades lined with mirrors. These mirrors, of an exceptional size for the time, were produced by a Parisian manufacture created by Colbert to compete with the products of Venice.
War Uses
After the French defeat in the Prussian-French war, the castle was the main headquarter of the German army from October 5, 1870 until March 13, 1871, and the German Empire was proclaimed here on January 18.
The ravages of war and neglect over the centuries have left their mark on the palace and its huge gardens. Modern French governments of the post World War II era have sought to repair these damages. They have on the whole been successful, but some of the costlier items, like the vast array of fountains, have yet to be put back completely in service. As spectacular as they might seem now, they were even more extensive in the 18th century. The 18th century waterworks which fed the fountains was probably the biggest mechanical system of its time. The water came in from afar on monumental stone aqueducts, which have long ago fallen in disrepair or been torn down.
The Would-Be Versailles
The most lasting monuments to the past glories of Versailles are not in France but in the other countries of continental Europe. When Louis XIV had Versailles constructed, France was the most powerful and the richest state on the continent. Versailles ignited a castle-building (and fountain-filled garden building) war between the monarchs of Europe.
In the small courts of Germany, echoes of Versailles sprang up, as ambitious as local funding permitted: Schwetzingen near Heidelberg; the New Palace (Neues Palais) and Charlottenburg in Berlin; Herrenhausen in Hanover; the Residenz in Würzburg; Schönbrunn in Vienna; Eszterháza in Hungary;
In Italy, the "would-be Versailles" include Caserta near Naples, (by Luigi Vanvitelli, from 1752 onwards), and Stupenigi outside Turin, which had begun as a hunting lodge as Versailles had.
The "Polish Versailles" is Wilanów, begun in the late 17th century as the "New Villa" just south of Warsaw erected for Jan Sobieski, King of Poland, then, as Versailles was, extended in several building campaigns. Wilanow is symmetrically ranged round a cour d'honneur with two patterned parterres on stepped levels. Wilanow was inherited by a series of Polish aristocrats, and it inspired other great Polish magnates to imitation, so that Italian and French architects and garden planners were drawn to Poland for employment.
Wilanow had a rival in Branicki Palace in Bialystok.
The grandest, most impressive effort was perhaps that made by Peter I of Russia when he had the Peterhof complex of buildings in gardens and parks built in the outskirts of Saint Petersburg (small illustration, right). The great palace of the complex is a spectacular building, set atop a hill above a cascade outdoing its model, Louis XIV's cascade at the Château of Marly.
The last shot in this war of sumptous architecture was probably fired by Ludwig II of Bavaria when he asked for a nearly identical copy of Versailles to be built, Herrenchiemsee, on an island on the bucolic Chiemsee lake in the countryside of Bavaria. His funds ran out too soon but the central portion was finished, along with its hall of mirrors, and formal French gardens were planted around it.
See also
External link
bg:Версайски дворец da:Versailles de:Schloss Versailles fr:Château de Versailles ja:ヴェルサイユ宮殿
